In her 72-minute video projection When You Fall into a Trance (2013), Emily Wardill employs this structuralistic conceit and invents new lines of narrative stemming from it.

Emily Wardill. Die 96 Objekte in diesem Inventar stammen aus Interviews, die Lawrence Abu Hamdan mit Ohrenzeugen führte, sowie aus Gerichtsprotokollen

Swiss artist Pipilotti Rist, currently artwork image. Emily Wardill The Pips 2011 Award 2010. Monster Chetwynd, Ben Rivers, Zineb Sedira, Emily Wardill Award 2008. Duncan Campbell, Luke Fowler, Andrew Kötting, Emily Wardill 4 Oct 2017 Jerome Everson, Filipa Cesar, Duncan Campbell, Moyra Davey, Naeem Mohaiemen, Emily Wardill, Shirin Neshat, Andrea Luka Zimmerman, For Night for Day (2020), Wardill constructs a feigned mother-son relationship. Her source material is a series of extensive interviews with Isabel do Carmo, Hans Ulrich Obrist interviews Emily Wardill, in: MAP Magazine, Issue 23, Autumn 2010. Timonen, Maija: Patricidal Film Making, in: Mute Jenssen Joachim Koester Silja Rantanen Nina Roos Emily Wardill Christine cream During litteralund 2019 we got the chance to interview the author Andy "Itchy park V", kurerat av Emily Wardill, Limehouse Townhall, London 2007 "Artist clothing" 2001 "Interviews" , Trondheim Kunstmuseum, "Interviews" UKS “Emily Wardills filminstallation tangerar språklighet på två nivåer: på det engelska till Emily Wardill genom att Lumet utnyttjar texten intakt som ett manuskript.

Emily wardill interview

I am working on a new film, No Trace of Accelerator, which is loosely based on a case study regarding EW . Honestly, I don’t know 2017-05-22 Emily Wardill’s films are known for their historical and intellectual appetites, as well as their stylistic restlessness. Her most recent, feature-length film, Game Keepers Without Game is currently on view at the Showroom in London, where she is also at work on her newest project, Fulll Firearms.Selections from this work in progress, which Wardill discusses here, will be screened at the 2013-03-26 Emily Wardill’s films, photographs, and objects probe the complexity of perception and communication, the question of how reality appears authentic to us, and the displacements of substance and form effected by the individual nature of the imagination. Emily Wardill (b 1977) has presented solo exhibitions at Bergen Kunsthall (2017); The National Gallery of Denmark, Copenhagen (2012); The Badischer Kunstverein, Karlsruhe (2012); de Appel arts centre, Amsterdam (2012); Emily Wardill | Publications. ESSAYS/ ARTICLES. MUSIC Emily Wardill (*1977) lives and works in Lisbon, Portugal and Malmo, Sweden.

Press Release: Emily Wardill’s films, photographs, and objects probe the complexity of perception and communication, the question of how reality appears authentic to us, and the displacements of substance and form effected by the individual nature of the imagination.

16 May 2017 In a short interview, Emily Wardill revealed the core guiding threads to this singular exhibition that has just come off display in the Bergen

Join us on e-flux Video & Film for an online screening of Emily Wardill 's I gave my love a cherry that had no stone (2016), on view from Monday, December 7 through Sunday, December 13, 2020. For her show last year at Fortescue Avenue in London the artist Emily Wardill presented two new films, The Diamond (Descartes' Daughter) (2008) and Sea Oak (2008).

Emily Wardill’s films, photographs, and objects probe the complexity of perception and communication, the question of how reality appears authentic to us, and the displacements of substance and form effected by the individual nature of the imagination.

9 Dec 2014 of previous prize recipients Luke Fowler, Lindsay Seers, Emily Wardill, Anya Kirschner & David Panos, James Richards and John Smith. Timonen, Murtaza Vali, Anne-Mie Van Kerckhoven, Agnès Varda, Timothy Vermeulen, Emily Wardill, Marina Warner, Mark Webber, and Lawrence Weiner. Interview. Caressing Space.

Night for Day . September 18 – November 8, 2020 . Galerie .
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Emily Wardill’s works are best known for their sensual and psychologically charged refracted narratives. Wardill’s films, photographic works, drawings, and props investigate the complexities of communication and representation, the limitations and imprecision of language, and the point at which the immaterial adopts the material through insinuation.

These elements influence her film work, which uses a visual language that is always reflecting on cinematographic systems, giving added meaning to her narrative. Emily Wardill It's not what it looks like, 2017 Altman Siegel, San Francisco Installation view Emily Wardill still from I gave my love a cherry that had no stone, 2016 9 min video Emily Wardill An Easy Swan, 2017 Resin cast relief 78.7 x 91.4 x 5.1 cm 31 x 36 x 2 in Emily Wardill Credits 3, 2013 Emily Wardill, I gave my love a cherry that had no stone (still), 2016. Join us on e-flux Video & Film for an online screening of Emily Wardill 's I gave my love a cherry that had no stone (2016), on view from Monday, December 7 through Sunday, December 13, 2020. Emily Wardill (born in 1977 in England, lives in Portugal) has not exhibited in Finland before, but she is well known in the European art scene for films and installations that are both embodiments of thought and meditations on things, both language-based abstractions and corporeal sensations..
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Emily Wardill. Bio b. 1977. Status. Established Representation. Followers 57. Following. Follow. Overview. Works for sale (11) Notable Works. View all works. Skip to end of content. I gave my love a cherry that had no stone, 2016. Contact for price. Gorky’s Fire, 2015. €11,000. Night

Emily Wardill’s films, photographs, and objects probe the complexity of perception and communication, the question of how reality appears authentic to us, and the displacements of substance and form effected by the individual nature of the imagination. Emily Wardill. Cirriculum Vitae Selected Solo Shows Matt black and Rat. Bergen Kunsthalle. Bergen. Norway. (2017) Matt black and Rat. Gulbenkian Project Spaces.